Carl Larsson
A Sweden Museum


Carl Larsson's Oil Paintings
Carl Larsson Museum
May 28, 1853–January 22, 1919. Swedish painter.
Carl Larsson

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110,680 paintings total

  

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Victor Dubreuil
Money to Burn
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ID: 80343

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Victor Dubreuil Money to Burn


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Victor Dubreuil

French-born American Painter, active 1886-ca.1900.  Related Paintings of Victor Dubreuil :. | Crucifixion Altarpiece | Portrait of Anton Ritter v | Arched Bridge at Cannaregio | Cattle in a Pool | Judith Beheading Holofernes (detail) sdg |
Related Artists:
Neufchatel, Nicolas de
Flemish, practiced mainly in Germany, 1527-90
CAROSELLI, Angelo
Italian painter, Roman school (b. 1585, Roma, d. 1652, Roma) Italian painter. He was the son of a dealer in second-hand goods and taught himself to paint. According to Baldinucci, he knew Caravaggio, who fled Rome in 1606, and this association may have encouraged his decision to become a painter. After visits to Florence (1605) and Naples (1613), Caroselli settled in Rome, where, in 1615, he married a Sicilian, Maria Zurca. His weakness for beautiful women was notorious (Baldinucci; Passeri). His second marriage, to Brigitta Lauri, daughter of the Flemish painter Balthasar Lauwers or Lauri (1578-1645),
William Frederick Yeames,RA
1835-1918 English painter. The son of a British consul in Russia, Yeames was sent to school in Dresden after the death of his father in 1842. He also studied painting there. The collapse of the Yeames family fortune resulted in a move to London in 1848, where Yeames learnt anatomy and composition from George Scharf (1788-1860). He later took lessons from F. A. Westmacott. In 1852 he continued his artistic education in Florence under Enrico Pollastrini and Raphael Buonajuto, from whom he learnt the methods of the Old Masters. He drew from frescoes by Ghirlandaio, Gozzoli and Andrea del Sarto and painted in the Life School at the Grand Ducal Academy. He then went to Rome and made landscape studies and copied Old Masters, including Raphael's frescoes in the Vatican. His extensive study of Italian art gave him a precision and facility that assisted his artistic success upon his return to London in 1859. There he set up a studio in Park Place and became involved with the ST JOHN'S WOOD CLIQUE. He exhibited at the Royal Academy and the British Institution from 1859 and became an ARA in 1866.






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